By Rachel Carroll
Adaptation in modern tradition: Textual Infidelities seeks to reconfigure the ways that edition is conceptualised through contemplating edition inside of a longer variety of standard, serious and theoretical contexts. This assortment explores literary, movie, tv and different visible texts either as ‘origins' and ‘adaptations' and gives new insights into the development of genres, canons and ‘classics'. Chapters examine either ‘classic' and modern texts through British and American authors, from Jane Austen, Edgar Allen Poe and Charles Dickens to Bret Easton Ellis, P.D James and Sarah Waters. A different diversity of literary, movie and tv genres is tested, from romance to technology fiction, the Western to the ‘women's photo' and the history movie to postmodern pastiche. With a thematic specialize in key serious paradigms for version reviews - constancy, intertextuality, historicity and authorship - this assortment expands the sphere of edition reports past its traditional specialise in ‘page to display' variations to incorporate movie remakes, games, biopics, fan fiction and big name culture.
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Adaptation in Contemporary Culture: Textual Infidelities by Rachel Carroll